Friday, October 17 @ Circle of Hope
Broad: Brendan Murray, Mike Shiflet, Trig (Nagle/Lentini) Circle of Hope
Broad Street, 1125 S. Broad Street at Washington, Philadelphia PA (map),
$5-10, 8pm. Sponsored by Bowerbird.
Two geniuses of the drone
attack from different angles. Shiflet's
shifting, crunching, pulsing laptop and electronics reveal a wealth of
tiny details subsumed into a river of flowing sound, evolving
majestically. Murray provides pure, deep beauty: a heavy, heady,
and physical soup of tones and grit that lulls even as it
exhilarates. Paradoxical? That's all the fun!
Like Sarah Palin, Trig (Alex Nagle and Joe Lentini) choose life.
But not the simple life of moose-hunting, forced teenage motherhood,
snow-mobiling championships, secret pregnancies, lies about earmarks,
"spiritual warfare," media sequestering, "troopergate," and unalloyed
support for oil drilling. No, Nagle and Lentini prefer to get
messy and hands-on, mixed up in the guts and innards of that most
common yet inscrutable piece of hardware: the computer. Writing
custom patches long into the night, tweaking code and parsing syntax:
this is the life of *our* Trig. Not that the audience would know,
as screamed vocals and visceral noise textures should carry the
day. What, you expected gentle mousing and pecked
keystrokes? These pushup-enthusiasts will have none of that. Brendan
Murray (jump to bio)
"Murray's music is positively
teeming with life behind its curtain of sustained tones."
- Dan Warburton, Paris Transatlantic
Debut of
this new noise project from local men-about-town Joe Lentini (French
Erection) and Alex
Nagle (CSection, Normal Love, Satanized, Tweeter, Jive Nation,
etc.). It promises to be loud, heavy, and harsh. Bios:
Brendan Murray is a
self-taught musician living in Somerville, MA. He has actively recorded
and performed with electronics since 1999.
He regards his music as a balance between spontaneous sound making and
compositional rigor, with an emphasis on drones and repetition.
He records and processes instruments and tapes until all traces of
instrumentality are blurred, leaving only large blocks of pure sound.
He has recorded four full-length CDs, four cdrs and two cassettes for
various record labels in the United States and Europe.
Murray has also toured extensively throughout the United States as a
solo performer and as a member of various improvising ensembles. He is
actively involved with long distance collaborations with musicians and
sound artists such as Seth Nehil, Richard Garet and Chuck Bettis.
He is also a founding member of the group Ouest, with longtime friends
and collaborators Jay Sullivan and Howard Stelzer.
Other activities include playing drums and guitar in the rock band
Paper Summer, composing music for film and occasionally presenting a
concert series in the Boston area; “Uppercase Sound”, which features
upcoming and established electronic musicians from New England.
*****
Mike Shifletis a sound artist now living in
Columbus, Ohio, after returning
from time abroad in rural Hyogo, Japan. His performance technique involves a combination of
several analog noise generators with Macintosh computer and
software, usually resulting in a mix of rich drones and fluttering,
frequency-jumping noises. In addition to recording as a solo artist, he has
been involved in a variety of groups ranging from the violin-led
improv group Burning Star Core and the laptop duo Scenic Railroads to
performance troupe Noumena and cathartic sludge/noise band Sword
Heaven. From 1998 until earlier this year, he ran GMBY Records (known as
Gameboy before legal threats from Nintendo) and released exactly 100
albums by improv and noise artists from across the globe.
*****
Like Sarah
Palin, Trig
(Alex Nagle and Joe Lentini) choose life. But not the
simple
life of moose-hunting,
forced teenage motherhood, snow-mobiling championships, secret pregnancies,
lies about earmarks, "spiritual warfare," media sequestering,
"troopergate," and unalloyed support for oil drilling. No, Nagle and
Lentini prefer to get messy and hands-on, mixed up in the guts and innards of
that most common yet inscrutable piece of hardware: the
computer. Writing custom patches long into the night, tweaking code and parsing
syntax: this is the life of *our* Trig. Not that the audience
would know, as screamed vocals and visceral noise textures should
carry the day. What, you expected gentle mousing and pecked
keystrokes? These pushup-enthusiasts will have none of that.