Thursday
April 5, 2012 @ Vox Populi Gallery Aux at
Vox Populi Gallery, 319 N. 11th St.,
3rd Floor, Philadelphia,
PA, $7-10, 8:00pm. (map)
Nick
Hennies (Austin)
Wall Wymyn (Philly)
Ethan Tripp (Philly)
Percussionist
Nick Hennies, member of Weird Weeds, interpreter
of contemporary experimental music, and
composer-performer in his own right comes to
Philadelphia Sound Forum for a solo concert.
He'll be playing compositions for vibraphone by
himself and Alvin Lucier, focusing on
psychoacoustic effects. These pieces simply
must be heard live in a room to get the full
effect of clouds of harmonic resonance dancing
in the room and in the ear. Check out some
preview audio here.
Opening up are two "emerging" local acts - the
violin and homemade electronics duo Wall Wymyn
and Ethan Tripp. The former explores
resonances and contrast among closely-tuned
acoustic and electronic sounds. The latter
wrings alchemy from assorted electro-acoustic
junk. Check out samples of both below.
Bios: Nick Hennies is a
percussionist and composer from
Louisville, KY currently residing in
Austin, TX. His work is primarily
concerned with redefining and
re-purposing the role of traditional
percussion instruments through
repetition, meditation, and immersion.
He received his M.A. in percussion from
the University of California-San Diego
in 2003 where he studied with renowned
percussionist Steven Schick and
currently performs with The Weird Weeds,
Waco Girls, and the Austin New Music
Co-op. In addition to solo work Hennies
has collaborated with Arnold Dreyblatt,
Radu Malfatti, Jandek, Charles Curtis,
Ellen Fullman, Michael Pisaro, and many
other composers and improvisers from the
United States and abroad. His work as
both performer and composer can be heard
on Quiet Design, Sentient Recognition
Archive, Full Spectrum, Thor's Rubber
Hammer, and more. Notable appearances
include the Indianapolis Museum of Art,
the Blanton Museum, Festival Agora
(Paris), and the LA Philharmonic's Green
Umbrella Series.
Coming
"soon"
Ethan Tripp
is an
electro-acoustic improvisor whose work
focuses on exploration of the materials of
every-day sounds and silence. The principal
devices for sound production are simple
objects like radios and speakers,
accompanied by junk like bicycle spokes and
bits of discarded metal. Like Free
Improvisation with no technique, Sound Art
with no art, and playing sounds largely
unwelcome in most areas of music, he seeks
to formulate an experience out of the trash
of the sonic world, the tension of
expectation, and the certainty of unfolding
time.
Ethan
has been playing music in various forms
since high school. After college, lost in
the world of small apartments -where it's
hard to play typical "band" instruments- and
bored with much of the music of his youth,
he discovered the world of hacking noise out
of second-hand children's toys. With
low-fidelity, limitless sounds and dirt
cheap accessibility, this love-affair with
the sounds of the discarded continues to
evolve.